By tags: Affordance theory | Animals | Architecture | Art and aesthetics | Borders and migration | Business & industry | City and urban studies | Cloud | Cyberinfrastructure for research | Data infrastructures | Development | Digital humanities | Disability & accessibility | Disaster | Economics | Energy | Environment | Ethnographical approaches | Feminist | Fiction | Higher education | Information & IT | Institutional | Internet (& ICT) | Labor & work | Landscape | Large technical systems | Library, museum, and archive | Logistics | Materials | Media infrastructures | Military | Minimal computing | Mining, oil, & extraction | Mission critical | Object & thing studies | Organizational | Photography | Platform studies | Poetry | Policy | Postcolonial & colonial | Race and ethnicity | Repair & care | Scientific research infrastructure | Security | Small technical systems | Social justice | STS (science technology studies) | Telecommunications | Transportation | Waste, garbage, sewage | Water
Works in the CI Studies Bibliography tagged “Art and aesthetics” include both creative art related to infrastructure, and scholarship about the art and aesthetics of infrastructure.
Devine, Kyle, and Alexandrine Boudreault-Fournier, eds. Audible Infrastructures: Music, Sound, Media. New York, New York: Oxford University Press, 2021. Cite
Truscello, Michael. Infrastructural Brutalism: Art and the Necropolitics of Infrastructure. Infrastructures. Cambridge: The MIT Press, 2020. Cite
Bogers, Loes, and Letizia Chiappini. The Critical Makers Reader: (Un)Learning Technology. Amsterdam: Institute of Network Cultures, 2019. https://networkcultures.org/blog/publication/the-critical-makers-reader-unlearning-technology/. Cite
Bhowmik, Samir, and Jussi Parikka. “Memory Machines: Infrastructural Performance as an Art Method (Preprint).” Leonardo, 2019. https://mediarxiv.org/z3dc7/. Cite
Blom, Ina. “‘And Follow It’: Straight Lines and Infrastructural Sensibilities.” Critical Inquiry 45, no. 4 (2019): 859–83. https://doi.org/10.1086/703959. Cite
Escobar, Arturo. Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds. New Ecologies for the Twenty-First Century. Durham: Duke University Press, 2018. Cite
Niittyvirta, Pekka. “Lines (57° 59′ N, 7° 16’W).” Pekka Niittyvirta (blog), 2018. http://www.niittyvirta.com/lines-57-59-n-7-16w/. Cite
FitzGerald, Lisa. “Black Gold: Digitally-Simulated Environments and the Material Aesthetics of Oil.” Transformations 32 (2018): 93–105. http://www.transformationsjournal.org/wp-content/uploads/2018/11/Trans32_6_fitzgerald.pdf. Cite
Koepnick, Lutz. “Koepnick Discusses Painting by Corinne Wasmuht.” Department of German, Russian and East European Studies, Vanderbilt University, 2018. https://as.vanderbilt.edu/grees/news/features/Koepnick_Wasmuth.php. Cite
Andersen, Christian Ulrik, and Søren Pold. The Metainterface: The Art of Platforms, Cities, and Clouds. Cambridge, Massachusetts ; London, England: The MIT Press, 2018. Cite
Hodge, James J. “Earth-Specific Art: Phenomenology and the Digital Cinema of Peter Bo Rappmund.” ASAP Journal 2, no. 3 (September 2017): 579–601. https://muse.jhu.edu/article/676917. Cite
Taylor-Hochberg, Amelia. “The Art of Public Service.” Places Journal, 2017. https://doi.org/10.22269/171212. Cite
Keyes, Peter. “Still Life with Cone, Standpipe, Caution Tape.” Places Journal, 2016. https://doi.org/10.22269/160621. Cite
Wasmuht, Corinne. “Corinne Wasmuht Exhibition: ‘Selected Works.’” SCAD.edu, 2016. https://www.scad.edu/event/2016-02-09-corinne-wasmuht-exhibition-selected-works-painting. Cite
Misrach, Richard, Guillermo Galindo, and Josh Kun, eds. Border Cantos. New York: Aperture, 2016. Cite
Turan, Neyran. “Museum of Lost Volumes.” Scenario Journal, 2015. https://scenariojournal.com/article/museum-of-lost-volumes/. Cite
Miller, Toby. “The Art of Waste: Contemporary Culture and Unsustainable Energy Use.” In Signal Traffic: Critical Studies of Media Infrastructures, 137–56. Urbana: University of Illinois Press, 2015. Cite
Palmer, A. Laurie. In the Aura of a Hole: Exploring Sites of Material Extraction. Black Dog, 2014. https://www.blackdogonline.com/imported-products-4/in-the-aura-of-a-hole?rq=hole. Cite
Larkin, Brian. “The Politics and Poetics of Infrastructure.” Annual Review of Anthropology 42, no. 1 (October 21, 2013): 327–43. https://doi.org/10.1146/annurev-anthro-092412-155522. Cite
Salomon, David. “The Highway Not Taken: Tony Smith and the Suburban Sublime.” Places Journal, 2013. https://doi.org/10.22269/130916. Cite
Orion Magazine. Reimagining Infrastructure (Article Series from Orion Magazine), 2013. https://orionmagazine.org/reimagining-infrastructure/. Cite
Thorp, Jer. “All the Names: Algorithmic Design and the 9/11 Memorial.” Blog. Blprnt.Blg (blog), June 10, 2011. http://blog.blprnt.com/blog/blprnt/all-the-names. Cite
Askins, Kye, and Rachel Pain. “Contact Zones: Participation, Materiality, and the Messiness of Interaction.” Environment and Planning D: Society and Space 29, no. 5 (2011): 803–21. https://doi.org/10.1068/d11109. Cite
Mathur, Anuradha. “Visualizing Landscapes: In the Terrain of Water.” Places Journal, 2011. https://doi.org/10.22269/110331. Cite
Wasmuht, Corinne. Biblioteque/CDG-BSL (Painting). Albright-Knox Art Gallery, Buffalo, New York, 2011. https://www.albrightknox.org/person/corinne-wasmuht. Cite
Parikka, Jussi. “Media Ecologies and Imaginary Media: Transversal Expansions, Contractions, and Foldings.” Fibreculture Journal, no. 17 (2011). http://seventeen.fibreculturejournal.org/fcj-116-media-ecologies-and-imaginary-media-transversal-expansions-contractions-and-foldings/. Cite
Mann, Paho, and Nancy Levinson. “The Art of Solid Waste.” Places Journal, 2010. https://doi.org/10.22269/100422. Cite
Wasmuht, Corinne. “Exhibits of Corrine Wasmuht’s Paintings at the Petzel Gallery,” 2006. http://www.petzel.com/artists/corinne-wasmuht/a-exhibitions. Cite
Bohemen, Hein van. “Infrastructure, Ecology and Art.” Landscape and Urban Planning 59, no. 4 (2002): 187–201. https://doi.org/10.1016/S0169-2046(02)00010-5. Cite
Fried, Michael. “Art and Objecthood.” Art Forum, 1967, 12–23. https://www.artforum.com/print/196706/art-and-objecthood-36708. Cite
Kubisch, Christina. “Electrical Walks: Electromagnetic Investigations in the City.” Christina Kubisch, n. d. http://www.christinakubisch.de/en/works/electrical_walks. Cite
Dyson, Torkwase. Exhibitions. n. d. https://www.torkwasedyson.com/blank. Cite
